I was reading a thread on the Telecaster Forums about the debate
of skill vs. passion. It got me thinking about how I might answer that
question, or if I could come down on just one side of that debate. At some
level, skill and passion go hand-in-hand, one without the other certainly
wouldn't serve our goals and worship players and leaders. But lets open this
topic up a bit more and see how this shakes out.
Guitar Skills - It's always important isn't it? At a minimum, the ability one
has (or a band has) to bring the music together in a way that at least doesn't
detract from worship is important. You don't want to play badly enough that
participants and listeners are distracted from the message during worship. But
our goals are much, much higher than avoiding a bad worship experience.
I look at it this way. You want at least a little bit more
skill than the music you are playing demands. That's the bare minimum. You need
that reserve, that extra headroom. And the more headroom, the better. If you
aren't there, then it gives you some new goals to work on. If you are at or
below the skill your worship music requires, you might pull it of (barely) but
some bad stuff could squish out or the overall quality might suffer enough that
it brings down the worship experience. Lets explore this concept of headroom as
it applies to our guitar playing skills.
Ever notice how many guitar solos on recorded music aren't really that hard
or complicated. When you break it down and really listen to what they're doing,
it's pretty simple sounding. Maybe they're doing some double stops, octaves, but
underneath all that, the playing or solo has some simple concept it's built
upon. Sure, there are face melting solos too, and really amazing tasty
stuff, but a lot of really good music isn't that complicated when you actually
listen to it and understand what's being played. If you really think about it,
what's on the recording isn't at the top of the range of the recording artist.
That's because the best always make things look simple. If you tried to record
yourself playing the same thing, it might not come out sounding nearly as well
done as the recording artist. They've got that headroom, that extra capacity to
create something beautiful that brings what's needed to the song, not what's
needed to feed their look at me ego. So while the notes might be
simple, the tone, the finesse, technique, and quality of what's played really
shows the skill and the capacity of the player.
I guess what I'm saying is, get your playing at a level above what your music
requires, or simplify the music, or do other music so it gives you and the band
that headroom. Then you have more capacity to produce sweet tones. A simplified
version of Lincoln Brewster's All To You glorifies God much more than a botched
attempt at sounding like the record. And, work on your skills offline so you are
constantly increasing your skills to play current and new music. What challenges
you today could be easy to play tomorrow. A friend of mine used to say,
"everything's easy when you know how". Well, worship is through playing the
guitar is easy when you don't have to think so much about playing it. Now you
can concentrate on worshiping.
God deserves our best, our very best, that we can offer him during worship.
Our music is our offering to the God, and just as God offered up His very best
to the world, and even though our offering far pales in comparison, we must
offer up our very best and most authentic worship to Him. That very best doesn't
mean barely best, it's what we can do to serve Jesus with our best.
Leading a congregation that's is a powerful place of worship is much more of
what we are about, than seeing if we can pull off something that could bring
down the worship experience.
In my next post on this topic, I'll talk about the passion side of the equation.